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Colorful Cliffs on the Skerwink Trail 11 x 14 Oil on Canvas Panel 2017 |
Wednesday, June 21, 2017
Thinking of Newfoundland
Friday, May 19, 2017
Sunday, April 30, 2017
Mill Series Continues
I have been working sporadically since moving into the studio and just finished another in the Mill series that I revisit periodically. The island's two mills are very different in configuration but share certain shapes and themes of construction that have leant themselves to being merged in some of my studies. This painting however is totally from the Rayonier mill (and my imagination).
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• Mill #1 24 1/2 x 32 Oil on Canvas on Birch Panel 2017 |
Wednesday, April 19, 2017
Red Trumpet Flowers
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●Red Trumpets 8 x 8 Oil on Canvas 2017 |
Sunday, April 2, 2017
Sunday, March 12, 2017
Tuesday, January 31, 2017
Parrot Tulip
Wednesday, January 25, 2017
For the love of Tulips
I am very fond of parrot tulips with their fringe and colorful combination petals but they are hard to come by here in NE Florida. When I got a bunch recently I just had to paint them. They have so much character as they move from tightly closed to completely open and ready to drop petals. The colors change during this cycle as well as the petal shape. Here are the first two paintings of the group, and there are two more in process at the studio.
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●Untitled - Parrot Tulips 8 x 8 Oil on Canvas 2017 |
Parrot in the Shadows 15 x 20 Oil on Canvas on Birch Panel 2017 |
Sunday, January 15, 2017
Bridge in Transition
The bridge over the Rio Grande river gorge just outside of Taos is an amazing feat of engineering. The bridge spans the gorge 565 feet above the river and offers breathtaking views of the gorge walls with the river snaking below. I have painted the river from its banks where it flows along beside the road from Taos to Espanola, but have never found a way to convey the feeling at the deep gorge section near the bridge. I started the Gorge Bridge in a more traditional representation:
which I quickly came to dislike..... In painting over that scene, the next view of the piece is moving more toward a compression of the shapes and colors:
and finally, in the finished painting, the colors and shapes that convey for me the structural yet ethereal presence of this bridge over the deep gorge are distilled to only those bits I find essential:
I took the photos used for reference in this piece last December while visiting on a sunny early afternoon. The bridge cast a shadow on the walls of the gorge and the snow and clouds reflected and concealed parts of the Taos mountain ski area in the background.
which I quickly came to dislike..... In painting over that scene, the next view of the piece is moving more toward a compression of the shapes and colors:
and finally, in the finished painting, the colors and shapes that convey for me the structural yet ethereal presence of this bridge over the deep gorge are distilled to only those bits I find essential:
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Gorge Bridge 25 x 32 Oil on Canvas on Birch Panel 2017 |
I took the photos used for reference in this piece last December while visiting on a sunny early afternoon. The bridge cast a shadow on the walls of the gorge and the snow and clouds reflected and concealed parts of the Taos mountain ski area in the background.
Wednesday, November 23, 2016
Study for Bridge and Mill
After working on the Newfoundland "postcard" series for the past month I felt a need to loosen up and return to our local landscape. This painting is a memory of the way our mills and bridges look to me at night as you return to the island by boat on the river.
Saturday, November 19, 2016
Rock Fingers at Sibley's Cove
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