More experiments with reduction printing

 

This is a 7 color reduction linocut print on japanese mulberry paper, roughly 9 x 11 in size.  Below are each of the different colors as they were printed.

Hecksher Drive

 We have lived here on the island for 15 years and typically drive around on Hecksher Drive when going into Jax instead of taking the freeway.  It is a beautiful and ever changing scene of the river, marsh, and industrial areas of NE Florida.  There is a fuel tank farm just past the port that I have been interested in painting for years.  The light on the tanks and pipelines reflects in so many varied ways depending on when you pass by the facility.  There is no good place to stop and take photos but I have snapped some on the phone through the car windows while driving by over the years.  This painting is a collage of the shapes and feeling of the "farm" from those images and my mental images just to experiment with a first attempt at capturing some of those on canvas.  

Hecksher Drive
18 x 23 Oil on canvas panel 

Heading In

 

●Heading In
28 x 35 Oil on Canvas Panel

Garden Drama

 

Garden Drama
36 x 36 Oil on Canvas

Portside

 

Portside
15 x 20 Oil on Canvas panel 

Circular Reference

Circular Reference 2
24 x 32 oil on canvas panel

 

More in the garden series

Since the lockdown I have been looking at, and working in, the gardens a lot and they have taken on some new life in recent paintings.  This is from watching monarch buttlerflies in our porterweed plant this past fall. 

Porterweed
24 x 18 Oil on Canvas panel 

 

Reduction prints continue

Below are some photos of the process for a new 7 color reduction linocut print.  The photos aren't that great but detail some of the process.  I hand printed this one instead of using the press.

 I covered the plate with a 
stencil and rolled ink only on the area
to be orange

Original sketch

Reduction Linocut for the New Year

 In my continuing effort to explore reduction linocut I made a 4 color print for my 2021 New Years cards.   I used the Caligo Safe Wash inks and Ternes Burton registration pins on this 16 print edition.  The registration pins worked perfectly and the inks were a vast improvement on what I had originally tried.  The only issue I had was that I underestimated the drying time for the last colors.  They barely made it in the mail by New Years and were still a little tacky....  The learning process continues.

More adventures in Linocut printing

I am continuing on in my attempt to learn about the linocut process and have done a multi color reduction print to see how the inks work over each other and how registration works (or in my case doesn't quite work).  The process is shown below with the first color printed in yellow, then the plate is further reduced by cutting away the areas to remain yellow and printing the next color (green).  I then cut away all the parts to stay green and tried several different colors printing the final versions to see how the colors reacted with each other.  I learned:

• I really need better inks.  I am using a beginners water based ink by speedball that didn't offer any transparent base to work with and was difficult to print as the series went on.
• I am going to need to be more precise and have more guides set down for the registration process in order to get a better alignment for the prints
• The new lino was much better and easier to cut than my previous test print, as it is probably newer than what I had on hand previously

I may or may not revisit this croton motif in the future but this learning print really was quite helpful in seeing the process work (and not work) in my studio.  It was also quite helpful in getting me to think in printmaking mode as opposed to painting mode when creating the starting image.  

 

Playing with linocut

I have started experimenting and trying to re-learn how to work with Linocut prints.  This is the first test of the materials and tools I have on hand to work with.  I am not sure the inks are all that good in quality and the lino was old and kind of crumbly but it is encouraging me to get another piece and see what else I can do with this medium.  

 

Gardens in Motion

Another in the series of garden abstractions from this time of isolation.   This one started from a thumbnail watercolor sketch and then took on a life of its own.

Swirl
16 x12 Oil on Canvas